Irfan Brković / Hypermosh

Noise can clarify, technology can humanize, and errors can beautify.

Bosnian interdisciplinary artist who works with autonomous audio-visual systems and site-specific immersive installations. Head video artist at the experimental theater company The Wooster Group in New York, where he develops real-time interactive video systems on kinetic sculptures for live performances. The founding member of the DIY makerspace Phase Space NYC dedicated to the exploration of video, sound, performance, creative coding, math + science, and interdisciplinary art practices. Part of audio-visual group Fa11out, exploring glitch as a reflection of human condition in deteriorated post-communism Yugoslavia.

His work has been exhibited in art exhibitions and events, among others: Street Art Festival Mostar, Moonlight, Performance, Mostar, September 2021; The Contemporaries, Bosnian National TV, November 2021; The Mother, Wiener Festwochen Festival, June 2020 Vienna; The Wooster Group, Carriage Trade, 2019-2020, New York; The Pink Chair, Festival d’Automne à Paris / Les spectacles vivant du Centre Pompidou, Paris Oct 2019; Sightlines, Group Exhibition, Oct 2019, Tunis; One Public Gallery exhibition, Group Exhibition, April 2019, Poland; Veselka, Video Performance, December 2018, New York; “Art & Activism in Bosnia and Herzegovina,” Workshop, October 2018, Zurich; LPM Festival, Video Performance, June 2018, Rome; Rebecas, Performance, February 2018, New York.

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